I am in awe of the world this author has created, and the messages conveyed in the telling - about accepting oneself, about self-sacrifice and putting others' needs first, about how difficult it can be to uproot deep-seated prejudices, about how you're never as alone as you think you are.

Regional theater: Sister James in Doubt.I enjoyed Seraphina. She performed television guest star roles on The Good Wife, Law & Order: SVU, and Virgin River for Netflix. Fennel in Pokemon, and for various Yu-Gi-Oh characters.

Thérèse is the voice of Maya Hansen in the Marvel Graphic Motion Comic Ironman Extremis, Dr.

She was named AudioFile’s Best Voices of the Year for 2015 for her work on Robyn Carr’s A New Hope. Most notably on Sing You Home by Jodi Picoult, Faith by Jennifer Haigh, and We Are Water by Wally Lamb. She was nominated for two Audie Awards in 2014 for her work on Robyn Carr’s The Wanderer and Carson McCuller’s The Ballad of the Sad Café, and received multiple Earphones Awards for her work. She is the recipient of the 2016 SOVAS Award for Irene Hannon’s Hope Harbor. Plummer has been nominated for five Audie Awards in 2018 in the categories: Fiction: She Liked Her Life by Abbie Fabiaschi and co-narrated with Susan Bennett and Dan Bittner, Romance: Any Day Now by Robyn Carr, and Faith-Based Fiction: Sandpiper Cove by Irene Hannon, as well as the multicast narrations for Original Work: The Handmaid’s Tale by Margaret Atwood and Middle Grade: See You in the Cosmos by Jack Cheng (winner). I had a lot of fun writing this novella, and I hope you, dear listener, have a lot of fun listening to it.' –Avery Bishop, creator of I wanted to play with listeners’ expectations and emotions, while, at the same time, I wanted to add in a few good twists. (That story, by the way, was called “Persistence.”) Withĭear Seraphina, I wanted to try something a bit different, telling the story entirely through letters, email, and progress notes. Like all writers, this writer wanted to get published, but as the story went on, it became clear that the writer was so obsessed with getting published that it put the editor and his family’s life in danger. Many years ago, working as an editor at a magazine, I had the idea for a story told all in cover letters from a writer sending stories to an editor. Mainly because it can be difficult to tell a story this way, especially one that’s meant to be suspenseful. 'Epistolary fiction is nothing new-Mary Shelley’sįrankenstein is told through letters, while Bram Stoker’sĭracula uses letters, journal entries, newspaper clippings, and telegrams-but it’s also something you don’t often see.

Seraphina book